|
||||
| / home / art / archive / event / encyclopaedia / about us / contact / | ||||
| > mail-art & street art documentation centre / | ||||
![]() |
![]() |
|||
|
> contents / Network: Stages for possible future / Clemente Padin / Mail Art by emphatizing communication, i.e., the character of use -not of change- of the artistic product and networking, by enhancing the co-operative forms of creation and diffusion opposed to the ideology generated by the individual forms of production and against the cultural dictac of the official system of the Fine Arts and their coryphaeus, the critics and curators are both situated outside the habituals codes used as legitimazing screens of well known social structures. There is a future for Mail Art and Network if they remain in the area of use. Works must not be sold. The theme is to maintain art in the area of use, within its irrestrictive social function and not in the area of change, which would inmediately throw it in the market and the search for profit or lucre in a mercantile function, in or out the margins of its social function. Also, Mail Art will survive in the meanwhile the postal service survive because there is no art without channel or fisic support. The new media only will change my personal expression but not my contents. Mail Art and Network are alternative arts that put the accent on communication. The new media, like fax, video-telephone, audio-dubbing, video, laser, hologramme, satellites, sticks, computers, etc., including the mail services, are instruments of interrelation between men. But, the new media, like other machines, do not produce on their own. They do not create aesthetic information if the human mind and hand are not there. Communication is not an abstract being, it is neccesary to produce and distribute it for its materalization, id est, its consumption and legitimation like product. Communication does not exist until it is consumed and does not generate feed-back. In other words: the work can only exist in the net. Art only exists if the "others" also exist. Artistically, you can not create new contents,because constents exist in the social life. P.e.,"love" is the same chose all the times and everywhere, only changes how to express it. But,all change. And Mail Art is not the exception: "Because things are like they are,they do not remain like things" (Berthold Brecht). Also, communication will be while there was two persons in the world. Between other choises Mail Art was born because products of artistical communication was losing their essential objective: the social communication. Art was losing his social function by the mercantile one. Our economical system put price to all, including communication.You know: Mail Art and Network is a product of human work and reproduce the social relations. Life artistical product is specificly art with a value changeable by money (sometimes the price is not equal to value). The art work like product of communication is a part of the whole social production and it can not leave to express our reality but symbolically. Both artistical and communicational parts are inseparables but a part prevails over the other one according the objective of the work. Mail Art is not a code but a channel.It is known, mail
like channel can participate in the content of the work, but like
expression, adding more aesthetic information. Also, languages are
codes. Channels carry the signs of codes and languages from senders to
receivers and viceversa. So, we see many forms of expression and many
different languages in Mail Art but only one channel: the mail or postal
services. Finally, art reveals itself as a sublimated for of the social conciousness and, as such, instrument of knowledge,whose function is auxiliar to its approval or desapproval of that same society, being able to convert itself,according to circunstances,in instrument of change and transformation or of consolidation and preservation of establisment.You can choice the Mail Artīs future.The vital issue is to work on...also is your decision:change or consolidate the imperant system from your art-work (not with your one). Copyright Đ by Clemente Padin - 7w1k4nc9@adinet.com.uy |
||||
![]() |
![]() |
|||